In a discussion with a friend, I was relating an aversion I was having about pushing for an answer from a Hollywood Studio that is currently considering my third book, The God Particle, as a potential big budget blockbuster.
Now, truth be told, this whole adventure started much like the nine other phone calls that were going to change my life. In every prior case, I was fearless, I aggressively followed up, I dared to ask uncomfortable questions, to probe the true dynamic in play. With this drummed up courage and “damn the torpedoes” attitude I went full speed ahead, braced and buttressed against the disappointing news that eventually came. But the stinging barbs of “oooo so close” and “We love it but…” bounced off me like bullets off Superman.
But not this time! This time I am filled with apprehension. Dreading the phone, not wanting to tempt fate, or anger the Gods. It is a very uncomfortable place for me to be. But the question is why? Why this time, why this manuscript? (the others were mostly screenplays). At first I thought the answer to be self-evident… Age! As you get older you get… well, soft. You become tired of the bumps and bruises you never noticed before. But that didn’t quite fit. During this same time I have put my butt on the line for hundreds of thousands of dollars worth of production and media time, by taking on projects with impossible goals and deadlines. I have relished the challenge. Never shrinking away but embracing the opportunity to perform beyond 100% and prove to myself that I can adapt, innovate and overcome any situation, in life and in business.
So why the timid, little boy, “scaredy-pants” act over this book? Over this tenth “life changing” opportunity? What is different?
Then it hit me. Everything I have done before was in my wheelhouse. Part of my success was always assured by the fact I was only playing on home-fields, at games I had a chance at winning. These were situations where I was in control of all the elements, and confident in the product.
Ahhh but this story is my first, full-fledged jump into the life, psyche and thought patterns of a female! Specifically my FBI agent turned Quarterback Group Operative, Brooke Burrell. At first I thought this was a kind of starter kit into the female mystique, in that I already had a good character base for her developed over two books, where she not only grew into her character, but into her life. And the safety rail for me was, she was in a traditionally male line of work, she had to interface and meld into the workplace mindset. Therefore, if I went too heavy male in her actions or motivations, I felt and hoped the reader would allow it, as her reacting to a male dominated environment. Easy to write a woman in that context! Piece of Cheesecake.
However, then she was always a supporting character. Therefore, I could, by reflection in the other characters, define her. It was my choice to go as deep as I wanted or leave it to the observation of the other characters to fill in the blanks.
Now, Brooke is the main character of my third book with my usual main characters taking a more supportive role. Many times in the story there isn’t anyone around to reflect off of, so I have to go inside her. It’s scary in there! I adhere to the adage, “You are a piece of all the characters you write.” So hello Brooke, welcome to my inner female. Not much organic female development in here within me, so my external observations of females have to be reversed tracked into the woman I am defining, creating motives and histories; impulses and predilections that become the cause that affects her behavior.
When writing about her, I can throw the world at her, and make her deftly respond, win, lose or draw. But going into her being, writing “her,” needs a feminine map with symbols and marks on it that most males are genetically incapable of reading.
So that’s it. That’s the fear. If they decide to make the movie, that would be nice, but if not, nothing changes, no big deal. But the reason for my nail biting apprehension, however, is the fear of them saying, “SHE doesn’t work for us.” Or worse, “you wrote a guy with breasts!”
Well, Brooke is all written now, she’s out there in the big world, I hope I have given her all the attributes of character and flaws of humanity that make her a compelling figure, but like most fathers, I pray that I just made her a good woman.